Top 14 FOOH Ads from the Netherlands
A look at 14 Fashion & Apparel FOOH ads filmed in the Netherlands. See how brands used Dutch cities to get attention and social reach.
The Netherlands is one of Europe’s most reliable proving grounds for modern advertising. With a population of over 18 million and some of the highest social media penetration rates in Europe, Dutch cities consistently punch above their weight in digital content performance.
The country’s compact urban layouts make large-scale ad campaigns immediately noticeable and recognizeable, while its digitally fluent audiences amplify campaigns far beyond city limits. This combination has made the Netherlands a natural environment for Fake Out of Home (FOOH) to thrive.
Below, we explore some of the most innovative FOOH ads executed in the Netherlands, breaking down how each campaign used location, scale, and narrative to drive attention and engagement.
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1. Pull&Bear FOOH Ad in Sijthoff City
At 872K views, this is a strong example of FOOH behaving like retail marketing, not just content. The visual is clearly connected to the collaboration, and the caption turns that attention into a timeline (drop date). When those two things line up, the execution doesn’t need extra explanation.
2. My Jewellery FOOH Ad in Bakkerstraat
899K views, and the takeaway is clear**:** if the concept mirrors the collection, the message lands fast. The Candy Couture identity comes through in one beat—playful, colorful, abundant—which is exactly what you want in feed.
3. Veritran x Manchester City FOOH Ad in the Netherlands
A Manchester City scarf wraps itself around global landmarks, including a rooftop moment in the Netherlands, positioning the partnership as international and expansive. Rather than focusing on one city, the campaign used recognizability and repetition to communicate scale.
This approach demonstrated how repeating one simple visual across locations can communicate global reach quickly, resulting in 635K views.
4. De Bijenkorf x NARS FOOH Ad in Amsterdam
In this next Netherlands FOOH ad, a giant beauty advent calendar pushes up through Amsterdam’s streets, standing out against bicycles, trams, and historic buildings. The placement among bicycles and trams made the scale feel immersive rather than abstract. The campaign showed how FOOH can help reach retail goals even during peak shopping periods, generating 601K views.
5. My Jewellery FOOH Ad on Wijde Heisteeg Bridge
A large pink advent calendar opens above a canal bridge, releasing oversized jewellery pieces into the street below. The repetition of scale reinforces gifting and countdown themes without relying on text. The caption highlights a giveaway, giving viewers a reason to engage beyond watching.
Dutch city centers favor walkability and close storefront spacing, which made the oversized gumball spill feel unavoidable. The playful tone fit well with a street known for browsing, driving 899K views.
6. Qmusic FOOH Ad at Westerkerk
In this next Fake Out of Home ad, friendship bracelets fall from a church tower, spelling out references to Taylor Swift and Qmusic as they descend. The reference is immediately readable to fans, turning a historic structure into a pop-culture signal. The caption directly addresses Swifties, confirming exactly who the ad is for.
Turning a historic church tower into a pop-culture signal worked in a city used to mixing tradition with modern events. The Swiftie reference felt local and timely, resulting in 402K views.
7. My Jewellery FOOH Ad in Eindhoven
This ad opens with floating jewelry appearing above mannequins, turning the storefront into a cosmic scene. Rather than relying on shock, the ad leaned into atmosphere and aspiration. The caption framed the drop as an event, reinforcing the sense of anticipation.
With 347K views, the campaign showed how Eindhoven’s reputation for design and tech made the floating jewelry feel natural rather than out of place.
8. Fabienne Chapot FOOH Ad in Amsterdam
Oversized glittering bow shoes appear atop a canal bridge, then dissolve into particles drifting across the city. The transformation emphasized the brand’s signature design while keeping the visual light and playful. The caption’s “blow ’em up” line directly echoed the exaggeration used onscreen.
With 310K views, the ad proved how exaggeration can reinforce product icons.
9. My Jewellery FOOH Ad in Alkmaar
Another My Jewellery ad, golden banners and confetti explode from a boutique during “Golden Weekend,” turning a standard sale into an event. The visual abundance reinforced the discount message without relying on text-heavy graphics.
The campaign showed how a standard sale can feel event-like through online visibility alone, attracting 275K views.
10. My Jewellery FOOH Ad for Winter Archive Sale
A receipt-style banner rolls down a storefront, announcing an upcoming sale. The simplicity of the visual made the message immediately clear. The caption’s “stay tuned” mirrored the teaser structure of the ad.
With 263K views, the campaign highlighted how anticipation-based FOOH can outperform loud visuals.
11. Disney Studios FOOH Ad in Amsterdam
This next FOOH ad uses recognition as its visual hook, with clouds morphing into Mufasa above the Eye Filmmuseum, transforming the skyline into a fun, cinematic moment. The image works without context or copy.
The campaign demonstrated how recognisable characters can anchor large-scale visuals without explanation, reaching 170K views.
12. Qmusic FOOH Ad in Amsterdam Zuidoost
A microphone-shaped airship rises behind a glass building in this FOOH ad, immediately drawing attention upward. The visual acts as a signal rather than a message. The caption directs viewers to the app, linking curiosity to participation.
13. EAVE FOOH Ad in Dam Square
This skincare FOOH ad features a glowing serum bottle appearing in Dam Square at sunset, standing quietly among existing landmarks. The scale is large, but the pacing is slow.
14. Semrush FOOH Ad in Amsterdam Canals
Rubber ducks fill the canals in this fun Semrush ad, followed by a giant duck carrying conference copy. The joke is obvious and intentional. The caption leans into humor, reinforcing that the ad is meant to entertain as much as inform.
Conclusion
Across these examples, the Best FOOH Ads in the Netherlands reveal a clear pattern: success comes from aligning scale, location, and message into a single, readable moment.
Driven by humor, seasonality, or product symbolism, Dutch cities offer the visibility and cultural openness needed for FOOH to perform. As brands continue to prioritize social-first storytelling, the Netherlands is likely to remain a key testing ground for the next evolution of Fake Out of Home advertising.
